Code: | 2110410 | Title: | Literary psychology | |||
Semester Hours: | 32 | Credits: | 2 | |||
Time Distribution | Lecture: | 32 | Computer Lab: | |||
Experiment: | Practice: | |||||
Practice (Week): | Work Outside Class: | |||||
Date: | 2014-12 | Offered by: | SchoolofLiberal Artsand Law | |||
for: | Chinese Language and Literature | |||||
Prerequisite: |
1. Course Description
“Literary psychology” explores the profound mystery of creations, works and receptions from psychological angle. The aim of this course is to teach students the basic knowledge of literary psychology and train students the basic ability of analyzing literature and art from psychological angle.
2. Requirements
Require students to study various theoretical resources of literary psychology, basic knowledge about writers’ psychology, creation psychology, literature works and reception psychology. After finishing studying the course, students will gain the basic ability of analyzing various literature phenomena from the psychological angle and practicing.
3. Topics
Chapter 1 Introduction and theoretical background of literary psychology
Section 1 Production, development, attributes, study object and research methods of literary psychology
Section 2 Experimental psychology and literary psychology
Section 3 Freud’s psychoanalytic psychology and literary psychology
Section 4 Gestalt psychology and literary psychology
Section 5 Humanistic psychology and literary psychology
Section 6 SchoolofSociety, culture and history and literary psychology
Chapter 2 Artist and Experience
Section 1 Art experience
Section 2 Generation of artist's experience
Section 3 Artist's experience types
Chapter 3 Art Creation
Section 1 Mental motive of art creation
Section 2 Mental state of art creation
Section 3 Generation of the interior and exterior forms of art works
Section 4 Mental paradigm of art creation
Chapter 4 Mental significance of art works
Section 1 Mental significance of literary language and narration
Section 2 Mental significance of techniques and motif
Section 3 Mental significance and mutual conquest between Contents and Forms
Chapter 5 Art reception psychology
Section 1 Effects of reception
Section 2 Receiver of arts
Section 3 Critic
4. Time Distribution
Topics | Lecture | Computer Lab. | Experiment | Practice | Practice (Week) | Work Outside Class |
Chapter 1 Introduction and theoretical background of literary psychology. | 6 | |||||
Chapter 2 Artist and Experience | 6 | |||||
Chapter 3 Art Creation | 8 | |||||
Chapter 4 Mental significance of art works | 6 | |||||
Chapter 5 Art reception psychology | 6 | |||||
Sum: | 32 |
5. Grading
Examination
6. Text-Book & AdditionalReadings
[1]Tong qingbing, Cheng zhengmin, chief editor. Course in Art psychology.Higher education press, 2011.
[2]Zhu guangqian.Psychology of Art.An Hui education press,1996.
[3]Qian gurong, Lu shuyuan, chief editor.Course in Art psychology.HuaDong normal university press, 1987.
[4]Cheng zhengmin.Research on the creation psychology of Russian writer.BaiHua literature and art press, 1992.
[5]Li junping.Motive Power of Creation.BaiHua literature and art press,1992.
[6]Wang yichuan.Aesthetical experience.BaiHua literature and art press, 1992.
[7][Russian] Л.С.ВЫГОТСКИИ.Psychology of Art.Zhou xin, translate. Shanghai literature and art press,1985.
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